Mar 17, · Provided to YouTube by Sony Music Entertainment The Marshall Plan · Blue Oyster Cult Cultosaurus Erectus ℗ Columbia Records, a . The Marshall Plan This song is by Blue Öyster Cult and appears on the album Cultösaurus Erectus (). In a dark horse town, in the middle of the west Where Friday takes so long to arrive Johnny wakes up dreaming turns on the radio The he jumps up plays his guitar in the mirror Starts his day with a rock and roll pose Tonight's the night that Susie and he Are going to a rock and roll. Cultösaurus Erectus Blue Öyster Cult 2 Monsters 3 Divine Wind 4 Deadline 5 The Marshall Plan 6 Hungry Boys 7 Fallen Angel 8 Also Available in iTunes More By Blue Öyster Cult See All. Don't Fear the Reaper: The Best of Blue Öyster Cult On Your Feet or On Your Knees (Live).
Cultösaurus Erectus is arguably Blue Öyster Cult’s heaviest album, with songs like “Monsters,” “Lips in the Hills,” and “Black Blade.” Juxtaposing their previous album, Mirrors. A fitting yet somehow satisfying example of 80's era Blue Oyster Cult, this will definitely please long-time fans of the band, but perhaps not those who are. Cultösaurus Erectus is the seventh studio album by the American hard rock band Blue Öyster Cult, released in Following the experiment with a more polished sound in the album Mirrors of , this recording was an attempt to return to the band's earlier hard-rock sound. Cultösaurus Erectus is the seventh studio album by Blue Öyster Cult. It was released on June 14, by Columbia Records, peaking at No. 34 on the Billboard Hot later that year. This album features a return to their original heavy sound, produced by ex-Black Sabbath producer Martin Birch, after their failure to chart with Mirrors. Album · · 9 Songs. Available with an Apple Music subscription. Try it free. Afte the disappointing Mirrors, Blue Öyster Cult return to a harder rock song with this album, with science fiction writer (and frequent Hawkwind collaborator) Michael Moorcock providing some fresh ideas. "Black Blade" is largely a musical retelling of the main plot of Moorcock's Elric novels, and it works wonderful as the album opener here.
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